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March 2006

Amplifier Design Made Simple
By Anurag Bhargava, Application Engineer EEsof EDA, Agilent Technologies, Inc.

Abstract
The purpose of this paper is to demonstrate a simple procedure for amplifier design. There are many available references on amplifier theory and design, but they often leave a gap between theory and practical considerations that should be understood by a designer to produce a good amplifier circuit that compares well with the simulated data so that minimal or almost no post production tuning is required for the Amplifier. This paper tries to collect basic theory of Amplifier design as well as the practical procedure that needs to be adopted for making design first time success so that designers could save their time and efforts. This paper focuses more on CAD aided design procedure to design amplifiers because CAD software has become a necessity for a design house to design accurately and shorten time to market. The design process utilized in this paper makes use of Agilent's Advanced Design System (ADS) software.

Introduction
The amplifier is an integral part of any communication system. The purpose of having an amplifier in a system is to boost the signal to the desired level. It also helps to keep the signal well above noise so that it can be analyzed easily and accurately. Choice of amplifier topology is dependent on the individual system requirements. Amplifiers can be designed for low-frequency applications, medium- to high-frequency applications, mm-wave applications, and so on. Depending upon the system in which they are used, amplifiers are classified as low-noise amplifiers, medium-power amplifiers, power amplifiers, and so on. The most common structure that still finds application in many systems typically is a hybrid MIC (Microwave Integrated Circuit) amplifier.

The main design concepts for amplifiers apply regardless of frequency and system, and designers need to understand them very clearly. Specific frequency ranges in particular pose their own unique design challenges.

This paper focuses on design of a small-signal C-band hybrid MIC amplifier. The method described here is equally valid for other amplifiers operating in other frequency ranges, with minor design changes.

Amplifier Theory
Before beginning to design an amplifier, the designer must have a basic understanding of things like amplifier stability and matching conditions. These are discussed in the following section. There are many references available on basic amplifier concept and design. The procedure presented in this paper is taken from one of them. [1]

Stability Condition
Stability analysis is the first step in any amplifier design. The stability of an amplifier or its resistance to oscillate is a very important consideration during design and can be determined from S-parameters, the matching networks, and the terminations. In a two-port network, oscillations are possible when either the input or output port presents a negative resistance.[1]

This occurs when

which for a unilateral device occurs when

Unconditional stability of the circuit is the goal of the amplifier designer. Unconditional stability means that with any passive load presented at the input or output of the device-the circuit should not become unstable; in other words, it should not oscillate. In general, for a linear, two-port device characterized by S-parameters, the two necessary and sufficient conditions to guarantee unconditional stability are a) K >1 and b) | D | < 1, where

Matching Conditions
The amplifier could be matched for a variety of conditions such as low noise applications, unilateral case and bilateral case. The formulae for each condition follows.[1]

Optimum Noise Match:
The matching for lowest possible noise figure over a band of frequencies require that particular source impedance be presented to the input of the transistor. The noise optimizing source impedance is called as Gopt, and is obtained from the manufacturer's data sheet. The corresponding load impedance is obtained from the cascade load impedance formula.

The common source configuration is normally chosen for the highest gain per stage. If the stability factor K>1, the network gives MAG. If K<1, the network could cause oscillations. In other words, Gmax is infinite and given as

This should be avoided by locating the region of instability in the GS and GL planes.

CAD-Oriented Design Procedure
The CAD-oriented design procedure consists of the following steps, which are described individually:

• DC Analysis
• Bias circuit design
• Stability analysis
• Input and Output matching network design
• Overall Amplifier performance optimization

Amplifier Specifications
• Frequency Band: 5.3 GHz - 5.5 GHz
• Gain: 13 dB (min)
• Gain Flatness: +/- 0.1 dB (max.)
• Input/Output Return Loss: < -15 dB
• DC Power Consumption: 50 mW (max.)
• Output P1dB point: +5 dBm (min.)

DC Analysis
Based on the frequency range and the gain requirement, the CFY67-08 HEMT device was selected for the present amplifier design. The first analysis that needs to be performed is the DC simulation to find out the right bias points for the amplifier. Figure 1 shows the DC analysis results for the above mentioned device. Based on the DC power consumption requirement (50 mW), bias points are selected as Vgs=-0.1V and Vds=3V, which provides the drain current of 15 mA.

Amplifier bias circuit design is dependent on the frequency range requirements of the amplifier. For example, if the amplifier will be used for low-frequency applications, then a choke (inductor) is used. Getting discrete inductors at microwave frequencies is difficult, however, so a high-impedance, quarter-wavelength line (l/4) at center frequency is the best possible choice which when designing a bias network. Be aware, however, that often this l/4 is followed by a resistor or a bypass capacitor, adding extra length to the l/4 line. Designers sometimes don't account for this additional length, which can cause some of the desired RF frequency power to be dissipated in this branch, affecting the gain and frequency response of the amplifier. The calculated l/4 line needs to adjusted by taking these extra elements into account.

One probable and commonly used method is to place a radial stub immediately after l/4 high impedance bias line. This helps to achieve proper isolation at desired RF frequency, no matter what component is added after l/4 long bias line.

Figure 2 shows the circuit design for the bias circuit where it could be seen that high impedance l/4 bias line is immediately followed by a Radial stub and then by a resistor and capacitor to ground. Sub-circuits X2 and X3 were created for input and bias networks respectively as shown in Figure 3 for further simulations.

Stability Analysis
Stability analysis is a very important aspect of any active circuit design and it is equally important in amplifier design, too. Most of the broadband amplifier devices are unstable and need to be stabilized before we can match input and output impedances and proceed with amplifier design.
There are various stability configurations which could be used to stabilize the circuit, the most popular being using resistive loading of the circuit. The choice is made depending upon the region of stability and type of amplifier being designed. Figure 3 shows one of the techniques to stabilize the circuit.
One output resistor was used at the output side of the amplifier and then the value of that resistor was tuned to achieve the proper stability. Figure 4 shows the results after stabilization.

Input and Output Matching Network Design
After the circuit is stabilized in the broadband range we can start the design of the input and output matching networks to achieve the desired specification of the amplifier. Designers must use proper layout footprint modeling of the lumped components in schematic simulation to account for the discontinuities which the signal will undergo in the practical circuit. This should accompany each lumped components, and is quite important while designing amplifiers in the microwave range.

Choosing the matching network's topology mainly depends on the bandwidth of the amplifier. The designer chooses between single-stub and double-stub matching networks. Simulated input and output impedances, which need to be matched with 50 ohms, were given as 6.8-j7.1 ohm and 24.5-j24.56 ohm, respectively, in the present amplifier design at the center frequency of 5.4 GHz.

A double-stub approach was used to design the input and output matching networks to achieve the desired input and output return losses for the present amplifier design. Figures 5 and 6 show the input and output matching networks that were designed using the matching networks synthesis utility available in ADS software.

Overall Amplifier Performance Optimization
The only thing remaining now in amplifier design is to connect all the sub-networks together and see the overall amplifier performance and to optimize the overall circuit if needed. Figure 7 shows the complete layout of the designed amplifier and Figure 8 shows the amplifier linear simulation results after performing the S-parameter simulation in ADS. These were obtained after minimal manual tuning of the matching stub lengths to achieve the desired results after connecting all the blocks together. Figure 9 shows the output and input 1-dB compression point after performing the XdB simulation in ADS software. XdB simulation is a variant of Harmonic Balance simulation in ADS. It helps designers perform various compression point simulations in a single step to find out the output power at various compression points, such as 1 dB, 3 dB, 5 dB, and so on.

Conclusion
This article shows that amplifiers are easily designed if a well defined procedure is followed. Designers can save time in fine tuning and optimizing the amplifier performance. Table 1 summarizes the desired and simulated results. Future work includes statistical analysis and electromagnetic simulation of this amplifier to ensure that the amplifier works in all the real world conditions and tolerances.

References
1. Microwave Transistor Amplifiers: Analysis and Design, Gonzalez, Guillermo, Prentice Hall, 1984.

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